About: Difference between revisions

Latest revision as of 13:33, 21 June 2025

Idea

TRE TRE TRE is conceptualised as a curatorial format that brings together a series of processes and experiments situated in different forest regions. The two forests of Pasvik and Temminki-Markkatieva are located at a distance of approximately 700 km from each other. Together with any third forest they would form a triangle.

To return to the forest with our bodies, tools, methods and gestures is to contribute towards weaving vessels of sensual knowledge resting in forest-human relationships and founded on the basis of each contributor's particular practice and affinities. As the processes gradually ground the work, they also make physical and imaginary connections between forest localities. They perform multiple triangulations.

Triangulation is a term used in various fields of knowledge, as a methodology in sociology and geometry, and more recently in art to advocate a non-binary worldview¹. The number of three is considered auspicious in most mystical traditions. In physics, the number is too large (see the so-called three-body problem). In some indigenous languages, only the numbers one and two are used, with the number after two indicating 'more'. Many words with the prefix tri- also have the meaning of more than two (e.g. the word tribe).

In cartography, triangulation is an outdated method from the days when the land surveyors physically measured and staked out heights and distances using optical devices and physical measuring sticks (today replaced by GPS and trilateration). Perhaps this could reflect the acts of TRE TRE TRE, where bodies and other sensing instruments are physically placed and in motion in the forest.

One can only partially contribute to the simple principle of triangulation and that of TRE TRE TRE: that observation from more than two points provides a richer opportunity to understand phenomena. The line between the two forests of Pasvik and Temminiki-Markkatieva invites a third point of triangulation: In TRE TRE TRE the third could be any and many unspecified.

1. Malin Arnell and Åsa Elzén have explored the triangle and triangulation in a number of works in opposition to binarity, most recently in Skogen kallar, a public artwork that links the history of the Fogelstad group, a feminist initiative formed in Sweden in 1921, to the artists' act of preserving a triangular forest in southern Sweden for the next 50 years

Background, formats & contributors

TRE TRE TRE is being formed through conversations (since 2022) in a loosely knit network of local and visiting art-knowledge constellations working in parallel and crossing paths in specific Northeastern forests localities.

The engagements involve (so far):

- Neal Cahoon (University of Oulu), Ursula Münster, Nora S. Vaage, Susanne Bauer, Annike Flo and Marianne Lien (in the research project 'Anthropogenic Soils' of the University of Oslo) and Cornelya Klutsch & other staff-members at the NIBIO Svanhovd

- Mar Fjell & Marlin Anhell, Rusto Myllylahti, Kristin Taarnesvik, Remi Vesala and Sallamari Rantala (in Sentient Soils Study, Mustarinda-residency, Paljakka forest)

- Espen Sommer Eide, Kajsa Møllersen, Jade Kallio, BJ Nilsen and Lena Ylipää (through various Fieldwork, Pasvik)

TRE TRE TRE is set up as an exploration involving the nearby forests of artist Lena Ylipää in Lainio and curator Hilde Methi in Kirkenes as a starting point.

Hilde Methi is the initiator of TRE TRE TRE.

TRE TRE TRE includes fieldwork, workshops, research residencies, events and presentations. Through emphasis on particular ecologies of soil substrate, forest and rural communities, we seek to negotiate the cultural positions of 'rurality' and 'periphery' and disrupt those value systems that see these places as mere extractable "resource areas".

Website

The website was made by Dušan Barok in collaboration with Hilde Methi.

The artwork on the front page is a drawing made by Kristin Tårnesvik.

The website runs on MediaWiki.

Fonts:

Kaeru for page titles. Designed by Isabel Motz.

Abordage for main menu. Designed by Eugénie Bidaut as part of the Reviving Ange Degheest project.

Latitude for body text. Designed by Eugénie Bidaut as part of the Reviving Ange Degheest project.

Funders & institutional collaborators

In 2025

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 __TOC__
-==Idea & format==
+==Idea==
-TRE TRE TRE is conceptualised as a curatorial format that brings together a series of processes and experiments situated in three different forest regions in the North Eastern corner of the Nordic countries. The forests of Pasvik, Paljakka and Temminki-Markkatieva are located at a distance of approximately 800 km from each other. Together they form a triangle.
+TRE TRE TRE is conceptualised as a curatorial format that brings together a series of processes and experiments situated in different forest regions. The two forests of Pasvik and Temminki-Markkatieva are located at a distance of approximately 700 km from each other. Together with any third forest they would form a triangle.
-Here, fieldwork is being conducted by small groups of artists and various other knowledge carriers. As we return to the forest with artistic tools, methods and gestures, we contribute towards weaving vessels of sensual knowledges, resting in forest-human relationships, and founded on the basis of each contributor's particular practice and affinities. As the processes gradually ground the work within these places, they make physical and imaginary connections between the three forest localities. They gradually perform a triangulation.
+To return to the forest with our bodies, tools, methods and gestures is to contribute towards weaving vessels of sensual knowledge resting in forest-human relationships and founded on the basis of each contributor's particular practice and affinities. As the processes gradually ground the work, they also make physical and imaginary connections between forest localities. They perform multiple triangulations.
-‘Triangulation’ is a term found in different fields. It is a method used in sociology and in geometry. In art it has been used to stress a non-binary worldview<small><sup>1</sup></small>. Three, as a number, is considered auspicious, and even sacred, in most mystical traditions. In physics, the number is too large to describe, while the mathematics says it proves its existence. In some indigenous languages, only the numbers one and two exist, while the number after two indicates 'more'. Many words with the prefix tri- also carry the meaning of more than two (e.g. the word Tribe).
+Triangulation is a term used in various fields of knowledge, as a methodology in sociology and geometry, and more recently in art to advocate a non-binary worldview<sup>1</sup>. The number of three is considered auspicious in most mystical traditions. In physics, the number is too large (see the so-called three-body problem). In some indigenous languages, only the numbers one and two are used, with the number after two indicating 'more'. Many words with the prefix tri- also have the meaning of more than two (e.g. the word tribe).
-In cartography, triangulation is an outdated method from when land surveyors physically measured and staked out elevations and distances using optical devices and physical measuring sticks (now replaced by GPS and trilateration). It resembles the acts of TRE TRE TRE, where bodies and instruments are physically placed and in motion in the forest. One can only partially contribute to the simple principle of triangulation: That observation from more than two points provides a richer opportunity to understand phenomena.
+In cartography, triangulation is an outdated method from the days when the land surveyors physically measured and staked out heights and distances using optical devices and physical measuring sticks (today replaced by GPS and trilateration). Perhaps this could reflect the acts of TRE TRE TRE, where bodies and other sensing instruments are physically placed and in motion in the forest.
-<small>1. '''''Malin Arnell and Åsa Elzén have engaged wih the triangle and triangulation in several works in opposition to binarity, most recently in''''' Skogen kallar''', ''a public art work that connects stories of the the Fogelstad group work, a feminist initiative formed in Sweden in 1921, with the act of the artists’ preservation of a triangular-shaped forest in Southern Sweden for the next 50 years'''''</small>
+One can only partially contribute to the simple principle of triangulation and that of TRE TRE TRE: that observation from more than two points provides a richer opportunity to understand phenomena. The line between the two forests of Pasvik and Temminiki-Markkatieva invites a third point of triangulation: In TRE TRE TRE the third could be any and many unspecified.
-==Background & partners==
+<small>1. '''''Malin Arnell and Åsa Elzén have explored the triangle and triangulation in a number of works in opposition to binarity, most recently in''''' Skogen kallar''', ''a public artwork that links the history of the Fogelstad group, a feminist initiative formed in Sweden in 1921, to the artists' act of preserving a triangular forest in southern Sweden for the next 50 years'''''</small>
-Pasvik, Paljakka & Temminiki-Markkatieva are forests and communities in the so-called “periphery” of the Nordics. These regions are experiencing change due to recent geopolitical shifts, climate change, depopulation, new initiatives in energy production, and the continued threat of centralisation of social services. With events and research on ecologies of soil substrate, forest and rural communities, we aim to challenge understandings, shift the cultural values of "rurality" and "periphery", and disrupt the value systems that see these places, localities and positions as mere extractable "resource areas".
+==Background, formats & contributors==
-TRE TRE TRE is based on the idea of a long-term collaboration between three of the partners that work close to these forest localities: Mustarinda in the border area between Hyrynsalmi and Poulanka east in Kainuu, Lena Ylipää in the village of Lainio east in Kiruna kommun, and Hilde Methi in Kirkenes, Sør-Varanger, in Eastern Finnmark, together with a loosely knit network of local and visiting art-knowledge constallations working in parallel or crossing paths.
+TRE TRE TRE is being formed through conversations (since 2022) in a loosely knit network of local and visiting art-knowledge constellations working in parallel and crossing paths in specific Northeastern forests localities.
-Participants so far, in addition to the above mentioned, are: Neal Cahoon, Mar Fjell, Marlin Anhell, Rusto Myllylahti, Kristin Taarnesvik, Remi Vesala, Jade Kallio, the research project “Anthropogenic Soils: Recuperating Human-Soil Relationships on a Troubled Planet” (2022-28): Nora S. Vaage, Ursula Münster, Susanne Bauer, Marianne Lien, and Annike Flo with Cornelya Klutsch at NIBIO Svanhovd, Sallamari Rantila and Miina Kaartinen (Mustarinda), Kajsa Møllersen and Espen Sommer Eide.
+The engagements involve (so far):
-==Funders==
+- Neal Cahoon (University of Oulu), Ursula Münster, Nora S. Vaage, Susanne Bauer, Annike Flo and Marianne Lien (in the research project 'Anthropogenic Soils' of the University of Oslo) and Cornelya Klutsch & other staff-members at the NIBIO Svanhovd
+- Mar Fjell & Marlin Anhell, Rusto Myllylahti, Kristin Taarnesvik, Remi Vesala and Sallamari Rantala (in ''Sentient Soils Study'', Mustarinda-residency, Paljakka forest)
+- Espen Sommer Eide, Kajsa Møllersen, Jade Kallio, BJ Nilsen and Lena Ylipää (through various Fieldwork, Pasvik)
+TRE TRE TRE is set up as an exploration involving the nearby forests of artist Lena Ylipää in Lainio and curator Hilde Methi in Kirkenes as a starting point.
+Hilde Methi is the initiator of TRE TRE TRE.
+TRE TRE TRE includes fieldwork, workshops, research residencies, events and presentations. Through emphasis on particular ecologies of soil substrate, forest and rural communities, we seek to negotiate the cultural positions of 'rurality' and 'periphery' and disrupt those value systems that see these places as mere extractable "resource areas".
+==Website==
+The website was made by Dušan Barok in collaboration with Hilde Methi.
+The artwork on the front page is a drawing made by Kristin Tårnesvik.
+The website runs on MediaWiki.
+Fonts:
+: [https://velvetyne.fr/fonts/kaeru-kaeru/ Kaeru] for page titles. Designed by [https://isabelmotz.com/ Isabel Motz].
+: [https://velvetyne.fr/degheest/abordage.html Abordage] for main menu. Designed by [https://www.eugéniebidaut.eu/ Eugénie Bidaut] as part of the [https://velvetyne.fr/degheest/ Reviving Ange Degheest] project.
+: [https://velvetyne.fr/degheest/latitude.html Latitude] for body text. Designed by [https://www.eugéniebidaut.eu/ Eugénie Bidaut] as part of the [https://velvetyne.fr/degheest/ Reviving Ange Degheest] project.
+==Funders & institutional collaborators==
+In 2025
+[[File:TRE TRE TRE logoset black (2).png|850]]